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Japanese Twitter users prefer anonymity it is rare to see someone use their real name as their username and it’s even rarer to find someone who is using their own face as their avatar. It’s common to come across tweets with 20,000 or 30,000 retweets. In Japanese, Twitter’s 140-character limit allows you to write whole paragraphs of information and retweets are incredibly popular.
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According to Alexa data, 10% of all visits to the domain come from Japan - second only to the U.S. Almost half of all social media users in Japan use Twitter. Taken together, Vine and Twitter’s native video would be the third-most popular video platform, behind YouTube and a Japanese livestreaming platform called Nico Nico Douga. Her work is even subtitled in English by her fans.Īll of this is to say that both the internet and fame operate differently in Japan than they do in the West. She has a huge Instagram following, there are Facebook fan pages for her, and compilations of her Vines regularly pull in over a million views on YouTube. Oozeki’s reach is spread all over social media, as well.
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Jesse is the only Vine star to crack a billion loops and has more followers on Twitter, but his following elsewhere doesn’t appear to be nearly as rabid. Brian Jesse, a half-Japanese, half-American comedian and impersonator, is a close second. But in Japan, Oozeki is leading the pack. On Vine, Oozeki’s numbers are smaller than her American contemporaries, like L.A.-based Vine star Logan Paul, who has 9 million followers and almost 4 billion loops. Actual Japanese celebrities - for instance, someone like pop star and model Kyary Pamyu Pamyu - typically have millions of followers on Twitter. He has 1.44 million followers on Twitter. Hikakin is Japan’s biggest YouTuber, with 2.8 million subscribers. YouTube is the biggest online video platform in Japan. I wanted to do more Vines and get more laughs,” she said.Īlmost three years after the "Disneyland" Vine, it’s safe to call Oozeki "internet famous", though she’s still on the lower end of the fame scale. “I thought, if there are so many people who will laugh at me doing such a silly thing, and since I’ve always liked getting a laugh out of people, simply put, I was happy. She already had a decent following on Twitter, but when she posted the "Disneyland" video, her account went nuts. “When going to Disneyland with your boyfriend: 'This is so fun! Let’s take our time!’” Then there’s a cut and Oozeki says, “When going to Disneyland with your friend: ‘Let’s go! Let’s go! Run! Run! Run! They’re going to run out of Fastpasses!’” The Vine has over 8 million loops. The Vine is called “Going to Disneyland" and it starts with Oozeki addressing the camera, selfie-style. Oozeki’s first big viral hit was a Vine in 2013 about how couples act at Disneyland. By just doing her thing, she’s slowly subverting the typical way young women in Japan achieve stardom - and other girls are noticing. But Oozeki and girls like her are using Vine in particular to quietly carve out a new space for young female performers who want to bypass Japan’s incredibly strict and hierarchical entertainment industry. If you ask Oozeki about her viral fame, she’ll deny she’s anything other than a normal teenager who happens to make six-second videos with her phone.
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Imagine Jim Carrey channeled through a 19-year-old Japanese girl with a smartphone. When she tells jokes, she usually screams while contorting her face. Last year, she made a video of her just making popping noises with her mouth.
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She’s done videos parodying the movie Frozen. She’s made a lot of videos about how girls act around their boyfriends versus how they act with their friends. Oozeki’s Vines are usually delightfully mundane. It is hard to believe that this is the same 19-year-old who, currently at 673,000 followers and 676,000,000 loops, has the most followed Vine account in Japan.įor one thing, she isn’t riding around on a hoverboard. But as she sits in her agency's office in jeans and a hoodie, drinking a cup of tea, it's clear that - cold or no cold - Reika IRL is not the hyperactive teenager she plays six seconds at a time on the internet.
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